- The Downloads module, its rail icon and badge are gone. A bookmark, the remembered page and an old
history entry that name it land on Files (urlState.resolvePage); `g d` goes to Files too.
- Users page: a Storage tab — the disk in numbers, every user's use against their own limit with
their file count, every user's downloads; aligned tables, one menu per row (edit / reset quota,
open source, copy, the owner's quota). The admin storage rows carry quota + file count, the admin
job list its owner.
- Settings: a Downloads tab — the download formats in one list (duplicate a built-in, edit or delete
your own) and the site sign-ins, moved from Account.
- "View" on an added download, a clip or a converting upload opens the tray on that row (unfolded,
back if closed; a finished one opens as a file; under a player it opens without taking focus).
- The download dialog opens on the format used last.
- DataTable: `pager={false}` for a short list, `cardRow` to give a lone "…" its own card line.
- Welcome and README speak of Files; a new Files screenshot.
- useTimecodeField holds a time field's draft for its caller, which places TimecodeError (role
alert) in its own flow under the fields' row: it no longer lies over the crop row taking its
clicks, runs out of the editor's card, or joins the field's <label> name.
- The editor's remove-cut buttons sit in a row under the track at their cut (trackLeft), off the
cut's grab area, where a press drags it; RangeTrack's adornment slot is gone.
- media-focus re-points --focus to the media amber on the Plex player, the YouTube stage and every
bg-media-chrome surface; a contract test holds each such class string to media-focus or
media-scope, the field's focus edge to the focus token, and --color-focus to the inline theme.
- An upload's quota headline says the converted file does not fit, not "Storage full".
- DESIGN.md: the tokens paragraph says what is re-pointed where; the decision row measures all
three colours on the chrome.
TimecodeField drops a draft when the value moves under it (another segment selected, a nudge), so
leaving the field never commits it to another cut; it is invalid only once offered, with a line
under it saying how to type a time. On the always-dark chrome media-scope points every focus ring
at --media-mark and errors at the new --media-danger (a light theme's accent and danger were under
3:1 there). A track whose dragged handle unmounts ends the drag on the pointer's release instead of
locking up; a remove refused while clips are queued leaves no focus to take later; each remove-cut
button names its cut and is a 24px target. DESIGN.md records the media tokens; stale comments fixed.
- A mark on the very end seeks a moment short of it; while a clip is marked the end of the item
neither closes the player nor steps the queue, and Plex's auto-skip waits.
- Plex: Escape and Back peel what is over the picture (info, up-next, the countdown) before the
clip; Back under a dialog is the dialog's; no range opens while the length is unknown.
- YouTube: the focus goes back to the scissors the user can see, else the player; the panel keeps
its name, Loop and focus when the view is maximised or restored under it.
- A typed time stays in its field until taken, then shows where it landed; unreadable stays marked
invalid; a decimal comma is read (ui/TimecodeField, the editor's fields too).
- RangeTrack: a drag is its pointer's, a cancelled drag reports final, an adornment sits beside the
slider, a caller-chosen focus ring (amber on the clip strip). CropFrame: a drag is its pointer's.
- The editor's remove-cut is a real button at the cut's foot; a segment's keep toggle sits over the
cut's hit area.
An optional crop in clip mode: a Crop toggle puts a frame on the picture (free, 16:9, 9:16 or 1:1;
the whole picture stays the default). The frame is sent in fractions of the box it was drawn in,
with that box's shape; the worker fits the real picture into the box by its display aspect (sample
aspect and rotation aware), drops the part over the bars, and crops first in the filter chain. A
frame covering the whole box is no crop at all, and one off the picture is refused by name.
The crop frame is a ui primitive (CropFrame) shared with the video editor, keyboard-operable.
YouTube: the wide side panel shuts while clipping and comes back after; maximised, the clip panel
docks in the stage. Plex: the picture sits above the clip panel so the frame lies on it.
Both players get a scissors in their control row (Plex: the control row; YouTube: the actions and
the docked bar), `c`, and `[` / `]` to mark at the playhead. The clip panel lives in the player, so
the watched video is the preview: an overview of the whole item and a zoomed strip around the
selection whose ends are sliders (arrows step a tenth, Shift a second), Start / End fields with
nudges and "to the playhead", the length, a looping Play selection, a name, Cut. Escape closes the
panel before the player and the focus goes back to the scissors. A cut is a toast with a Downloads
link plus the usual Ready notification.
- ui/RangeTrack + RulerTicks: the shared, domain-free time track (regions, keyboard-steppable
handles with a 1.5rem hit area, a playhead, a background slot, over a window of the item). The
Downloads editor's cuts moved onto it, so they are keyboard-steppable now.
- lib/clipRange holds the marking rules (1 s to 10 min, the server's), lib/timecode the editing
timecode the editor's private tc/parseTc became.
- keymap: a symbol typed through AltGr answers its bare-symbol row - on the HU layout `[` is
AltGr+F, which arrives as Ctrl+Alt; letter and Mod rows still never match Ctrl+Alt.
- The YouTube stage sits in a wrapper with the panel, so the maximised stage's blur escape matches
at any depth.
- media-scope: fields on the always-dark player chrome read white in a light theme too.
peter