- The cut file is measured against what its owner has left, for a YouTube range (whose fetch never
reads yt-dlp's size ceiling) and for a Plex clip (which fetches nothing), before the fetch and
again before it is placed; a refusal leaves the asset pending for a Retry.
- A silent Plex file is cut silent; a file the probe cannot read says so.
- A second job on a failed or renamed clip gets the same YouTube diagnosis and the fetched title.
- The "too long" refusal names the server's cap; a contract test holds the client's copies of the
clip limits to clip.py; the shipped player clients are pinned against the installed yt-dlp.
- One HDR transfer set and one rating_key lookup; job status words from JobStatus; the display-name
guard sees subscript writes and the clip route; stale comments and types follow the clip job.
An optional crop in clip mode: a Crop toggle puts a frame on the picture (free, 16:9, 9:16 or 1:1;
the whole picture stays the default). The frame is sent in fractions of the box it was drawn in,
with that box's shape; the worker fits the real picture into the box by its display aspect (sample
aspect and rotation aware), drops the part over the bars, and crops first in the filter chain. A
frame covering the whole box is no crop at all, and one off the picture is refused by name.
The crop frame is a ui primitive (CropFrame) shared with the video editor, keyboard-operable.
YouTube: the wide side panel shuts while clipping and comes back after; maximised, the clip panel
docks in the stage. Plex: the picture sits above the clip panel so the frame lies on it.
The code cited its plan instead of saying why: `E28 review J4`, `(R6 S3b)`, `S1 justified…`,
`deep-review round 5`. That plan lives in the private ops repo, so for every reader of this one the
citation was noise, and a sentence whose subject was the plan step ("round 2 showed…") hid its
lesson behind an id. Each one is gone and the "why" kept: a bare citation is deleted, a sentence
carrying a lesson is reworded around it ("a later attempt showed…").
Measured (`scripts/audit_metrics.py`, product code): 652 lines in 270 files carried an epic code by
the definition the next commit holds (507 / 241 by the old, two-digit-only one) -> 0. Across all
code, tests, scripts and configs: ~1100 epic-code lines plus ~320 sprint/round ids.
Behaviour unchanged, checked mechanically: every changed .py file has the same AST once docstrings
are blanked; css/sh/toml/yml/json files are identical once comments are stripped; the only
non-comment changes in TS/JS are test titles, one description string in a contract table, and five
ESLint messages, whose text is all the gates snapshot diff holds. Not touched: Markdown (docs and
the changelog keep their history), Alembic migrations, TV episode notation (`S2 · E5`), DESIGN.md
ids (`C1`, `B4`, `S3h`), tracker ids (`SEC-16`, `DX-17`).
One stale claim fixed on the way: test_hls_reaper's docstring said the player checkpoints "every
10 s whether or not it is playing", which plex/stream.py calls wrong; it now says what the code does.
The video preview is object-fit: contain (the browser default for <video>), so a
non-16:9 source is letter/pillarboxed inside the element box. The crop marquee was
drawn in fractions of the whole box (bars included) and those fractions were then
multiplied by the source resolution, so the emitted ffmpeg crop diverged from what
the selector showed. Anchor the overlay to the computed content rect (and set
object-contain explicitly) so a marquee fraction is a fraction of the real picture;
extract the display-px<->source-px math into cropGeometry.ts with unit tests, and
clamp the even-rounded window in-bounds so a full-frame crop can't overflow.
peter