- The cut file is measured against what its owner has left, for a YouTube range (whose fetch never
reads yt-dlp's size ceiling) and for a Plex clip (which fetches nothing), before the fetch and
again before it is placed; a refusal leaves the asset pending for a Retry.
- A silent Plex file is cut silent; a file the probe cannot read says so.
- A second job on a failed or renamed clip gets the same YouTube diagnosis and the fetched title.
- The "too long" refusal names the server's cap; a contract test holds the client's copies of the
clip limits to clip.py; the shipped player clients are pinned against the installed yt-dlp.
- One HDR transfer set and one rating_key lookup; job status words from JobStatus; the display-name
guard sees subscript writes and the clip route; stale comments and types follow the clip job.
Both players get a scissors in their control row (Plex: the control row; YouTube: the actions and
the docked bar), `c`, and `[` / `]` to mark at the playhead. The clip panel lives in the player, so
the watched video is the preview: an overview of the whole item and a zoomed strip around the
selection whose ends are sliders (arrows step a tenth, Shift a second), Start / End fields with
nudges and "to the playhead", the length, a looping Play selection, a name, Cut. Escape closes the
panel before the player and the focus goes back to the scissors. A cut is a toast with a Downloads
link plus the usual Ready notification.
- ui/RangeTrack + RulerTicks: the shared, domain-free time track (regions, keyboard-steppable
handles with a 1.5rem hit area, a playhead, a background slot, over a window of the item). The
Downloads editor's cuts moved onto it, so they are keyboard-steppable now.
- lib/clipRange holds the marking rules (1 s to 10 min, the server's), lib/timecode the editing
timecode the editor's private tc/parseTc became.
- keymap: a symbol typed through AltGr answers its bare-symbol row - on the HU layout `[` is
AltGr+F, which arrives as Ctrl+Alt; letter and Mod rows still never match Ctrl+Alt.
- The YouTube stage sits in a wrapper with the panel, so the maximised stage's blur escape matches
at any depth.
- media-scope: fields on the always-dark player chrome read white in a light theme too.
peter